![]() This is a very handy tool for reviewing media. This device allows you to quickly review clips by dragging the skimmer across clips in the Browser or Timeline. You can insert one using Edit > Insert Generator > Gap (or type Option + W).Īpple invented a new cursor with FCP: The skimmer ( see red arrow above). (Drone footage courtesy: Terry Holland, Northeast Drone Video While you can put a full-screen title in the Primary Storyline, it is often easier to edit a black slug, Apple calls slugs “gaps,” into the Timeline. B-roll and audio elements will then connect to it. ![]() (Dramatic footage courtesy: John Putch “Route 30, Too!” If you are editing a feature film, put clips with sync sound in the Primary Storyline. NOTE: I also generally put markers in the audio clip to indicate where I want to change shots, so that edits fall cleanly on the beat. ![]() This prevents it from moving as you add video B-roll above it. If you are creating a music video, put the main soundtrack in the Primary Storyline. If you are creating an interview, put your main interview footage (sync sound) in the Primary Storyline. It is where you place the key media for your project. The Primary Storyline has a very specific role to play in an edit. In other words, the Primary Storyline allows you to connect clips once, then move them without losing sync as you continue refining your edit. This made it much easier to move clips around without re-spotting audio or re-connecting B-roll. If you move the interview segment, all the clips connected to it move too. For example, imagine an interview clip with two B-roll clips and a sound effect all connected to it. The benefit to these connections is that if you move a Primary Storyline clip, all clips attached to it move with it. (My poor blown brain appreciated this change.) Recent versions of FCP, starting around 10.3 I think, now only allow audio to be placed below the Primary Storyline. For traditional editors like me, this just totally blew minds. NOTE: In the initial version of Final Cut Pro X, audio could be placed above or below the video in the Primary Storyline. These clips are called “connected clips.” B-roll clips are placed on layers (Apple emphatically does not call these “tracks”) above the Primary Storyline, and connected to it using thin lines. (Air show footage courtesy: Hallmark Broadcast Ltd. The third benefit to the Primary Storyline is that it prevents clips from getting out of sync through the use of “connections.” Instead, the clips in the Timeline spread apart so you can insert the new clip at an already existing edit point. The second benefit is that if you drag a clip from either the Browser or Timeline on top of another Timeline clip, the first clip does not erase parts of the second. It then places all following clips such that the In of the in-coming clip touches the Out of the out-going clip. By default, the Primary Storyline does not allow gaps between any clips placed in it. It simplifies adding B-roll and audio while keeping all clips in syncīy definition, the Primary Storyline places the first clip at the very beginning of the timeline.It prevents accidentally erasing media by dragging one clip on top of another.It prevents accidentally leaving gaps – flashes of black – in the timeline.There are three big benefits to using the Primary Storyline. NOTE: Final Cut Pro 7 was notorious for allowing tiny gaps in the timeline, resulting in distracting flashes of black. ![]() (It is also called the “Magnetic storyline.”) It was specifically designed to prevent gaps in an edit, resulting in distracting flashes of black, by “magnetically” attracting the edges of adjoining clips so that they touch. The Primary Storyline is the horizontal, dark-gray bar in the middle of the Final Cut timeline. So, I thought this would be a good time to review the basics of what the Primary Storyline is and how it works. Recently, I was on a Zoom call helping Tommy get his Final Cut project organized and I realized that he had created a timeline where the Primary Storyline worked against him. Now, however, editors have discovered that it helps them edit faster – provided they understand how it works. Editors either tolerated it, or really, really hated it. Probably no feature in Final Cut Pro X confounded more people on its first release than the Primary Storyline.
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